The Jesus Archive
The face on the Shroud of Turin, from Secondo Pia’s negative, Turin
The face on the Shroud of Turin, from Secondo Pia’s negative, Turin · Photograph by Secondo Pia (public domain)

The Shroud of Turin: radiocarbon and later dating claims

A linen cloth bearing the image of a crucified man, venerated as Jesus’s burial shroud. Three laboratories dated it to about AD 1260–1390 in 1988. Later challenges, including a 2022 X-ray study, have not displaced that result, though the debate continues.

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About this artifact

The Shroud of Turin is a long linen cloth bearing the faint front and back image of a man who appears to have been scourged and crucified. Many Christians have venerated it as Jesus’s burial cloth. Its documented history begins in fourteenth-century France, and it has been kept in Turin since the sixteenth century.

In 1988 three laboratories (Arizona, Oxford, and the Swiss Federal Institute of Technology in Zurich) dated samples from the cloth by accelerator mass spectrometry. They reported a calibrated range of about AD 1260-1390, published in Nature in 1989. It remains the only dating result replicated by independent laboratories.

The sampling, cleaning and statistics of the 1988 test have been contested by some researchers. In 2022 a wide-angle X-ray scattering study argued for a first-century date, but its method depends on assumptions about the cloth’s environmental history. Most specialists do not regard it as overturning the radiocarbon result. Papers in 2026 examine the samples and their treatment history without redating the cloth.

How the image was formed has not been fully explained, and a date alone, early or late, could not by itself tell us whose image it is. Whether the cloth is the burial shroud of Jesus is a question scholars and scientists still debate, and the evidence is set out here for your own discernment.

The text

An account of the object written for this site from the archive’s source record and the research dossier.

The object

A linen cloth bearing the faint image of a man’s body, front and back, with marks consistent with scourging and crucifixion. Its documented history begins in fourteenth-century France; it has been kept in Turin since the sixteenth century.

The 1988 radiocarbon test

In 1988, three laboratories (Arizona, Oxford, and the Swiss Federal Institute of Technology) dated samples from the Shroud by accelerator mass spectrometry. They reported a calibrated range of about AD 1260-1390, published in Nature 337 (1989), 611-615.

Later challenges

The sampling, the cleaning protocol and the statistical treatment were contested at the time and remain contested by some researchers.

In 2022, Liberato De Caro and colleagues published a wide-angle X-ray scattering (WAXS) study in Heritage 5 (2022), 860-870, arguing for a much earlier date, roughly the first century. The WAXS method measures the ageing of cellulose and depends on an assumed environmental history; it has not displaced the radiocarbon result for most specialists.

Other work has examined whether the 1988 samples were contaminated by repair or by handling (Freer-Waters and Jull, npj Heritage Science, April 2026, on retained textile fragments), and whether bleaching treatments affected the linen (Barta and Ruiz-Navas, npj Heritage Science, September 2026). Neither paper redates the cloth; both examine the sample and its treatment history.

What it establishes

On the radiocarbon evidence, a linen cloth of the thirteenth or fourteenth century, bearing an image whose formation is not fully explained. The 1988 measurement is the one result that has been independently replicated by three laboratories.

Open questions

Is this the cloth that wrapped Jesus’s body? The radiocarbon result points to the Middle Ages, and even a first-century date, if established, would give the age of a cloth rather than its history or the identity of the man it shows. The dossier sets out how the dating claims and their assumptions are argued, so that you can weigh them for yourself.

Where it is now

The Shroud is kept in the Cathedral of Saint John the Baptist in Turin and is only rarely displayed in public.

SourceNature 337 (1989) 611-615; Heritage 5 (2022) 860-870; npj Heritage Science (2026) — https://www.nature.com/articles/337611a0 LicenceOriginal summary written for this archive. Photographs are credited with their own licences. Cited asA24A25A26A47
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